(Loading...)

Tuesday, October 6, 2015

Hoof of the Avatar 2: Decay Day

The Scream (Norwegian: Skrik) is the popular name given to each of four versions of a composition, created as both paintings and pastels, by the Expressionist artist Edvard Munch between 1893 and 1910. Der Schrei der Natur (The Scream of Nature) is the title Munch gave to these works, all of which show a figure with an agonized expression against a landscape with a tumultuous orange sky. 

Among theories advanced to account for the reddish sky in the background is the artist's memory of the effects of the powerful volcanic eruption of Krakatoa, which deeply tinted sunset skies red. This explanation has been disputed by scholars. The imagery of The Scream has been compared to that which an individual suffering from depersonalization disorder experiences, a feeling of distortion of the environment and one's self, and also facial pain in the form of Trigeminal neuralgia.

Alternatively, it has been suggested that the proximity of both a slaughterhouse and a lunatic asylum to the site depicted in the painting may have offered some inspiration. Robert Rosenblum suggested that the strange, sexless creature in the foreground of the painting was inspired by a Peruvian mummy.

Arthur Lubow has described The Scream as "an icon of modern art, a Mona Lisa for our time".


 Highly improved Vortex Shroud of the Avatar version


 Can you imagine a story behind the painting?

No comments:

Post a Comment